In this day and age, what is the importance of the live music experience? (more…)
Posts Tagged ‘jesse rosen’
How has the relationship between the orchestra and its community changed over the past century? (more…)
No conversation about music—about any art form, for that matter—gets very far these days without addressing the impact, potential and pitfalls of technology. From high- definition broadcasts of live performances, to an audience tuned in to Facebook, Twitter and other social media, classical music must find its place in an increasingly digital community. This podcast was developed from our October 2011 live event.
Chapter Three: Considering Technology, Part 1
The second chapter in our podcast series is about personal stories, those intimate connections between a student and a teacher that, like a pebble in a pond, send waves radiating outward. Few stories are more compelling or influential than that of Gustavo Dudamel, the Venezuelan-born conductor—and now Music Director of the Los Angeles Philarhmonic—who found his own pebble-in-the-pond experience in his home country’s visionary music education and social program, El Sistema. This podcast was developed from our October 2011 live event.
Chapter Two: Personal Stories
We’re pleased to bring you the first in a series of podcasts developed from our live events and behind-the-scenes conversations with musicians, scholars, composers, executives, critics and technologists.
This first chapter is drawn from the October 23 public Forum during the Los Angeles Philharmonic residency and a later interview with Alan Gilbert, Music Director of the New York Philharmonic. It addresses the historical and cultural roots of American orchestras and how those traditions impact and inform an orchestra’s place in the contemporary American community.
Chapter One: Historic Context of the American Orchestra
In this guest post, Jesse Rosen, President and CEO of the League of American Orchestras and panelist at our October event, responds to a recent report from the National Committee for Responsive Philanthropy (NCRP) and reflects on the question of orchestras and community. The NCRP report examines foundation giving and the organization’s press release featured this stark headline: “Arts Philanthropy Not Doing Enough to Reach Poor and Minority Populations.” Read the full report.
Since participating in our panel on the question of orchestras and community, I have been giving some thought to a new report from the National Committee for Responsive Philanthropy that challenges the extent to which orchestras serve their communities and suggested that small organizations might be a better outlet for support.
Among the several blog posts I have seen and conversations I have had about the contents of the report, no one has questioned the need for greater philanthropic support of smaller, culturally specific arts groups and of art that promotes greater equity. In fact, art itself is a vital means of advancing justice and understanding in a democratic society. While there is no question that symphony orchestras are rooted in close associations with wealth and an elitist understanding of value and purpose, a lot has changed in recent years. It is important to set the record straight and recognize the enormous strides orchestras have made to become more far-reaching cultural citizens who support the arts education of our children and define audience to include all segments of communities. (more…)
One last video from our October 23rd event in San Francisco is now available for viewing — the roundtable discussion and Q&A featuring our six Spotlight Conversation participants.
From left to right that’s Steven Winn, San Francisco arts journalist and critic; Amos Yang, Assistant Principal Cellist, San Francisco Symphony, and alumnus, San Francisco Symphony Youth Orchestra; Neil Harris, Professor of History and Art History, University of Chicago; Jesse Rosen, President/CEO, League of American Orchestras; Afa Sadykhly Dworkin, VP/Artistic Director, Sphinx Organization; Mark Clague, Professor of Music, University of Michigan.
One of my favorite moments is near the end, when a woman prefaces her question by saying she has attended symphonic concerts for 75 years. The audience bursts into applause but then gasps as she continues on to her question saying, “If you’d permit me to opine about music… sound without melody is noise.” In regards to programming, “where does the person who buys the ticket get to have a say?” I really hope she comes back for our next event Talking About Creativity.
On Sunday, October 23, Jesse Rosen, President/CEO, League of American Orchestras, Neil Harris, Professor of History and Art History, University of Chicago, and Mark Clague, Professor of Music, University of Michigan opened our “Talking About Community” event.