The Asphalt Orchestra (really a twelve-piece marching band) has made a name for itself with edgy, in-your-face, street performances. Anthony Tommasini of The New York Times describes them as “part parade spectacle, part halftime show and part cutting-edge contemporary music concert.” (Watch video.)
So what happens when the Asphalt Orchestra decides to take their music off the streets and into the concert hall?
It’s interesting to watch their solution to questions that orchestras also struggle with… how do you make a connection to the people on the other side of the music stands? How do you bridge the stage/audience divide? How do you engage people in the music? Their answer is a physical, choreographed performance—with musicians out of their chairs, virtuosic soloist spins taking center stage, and movement, movement, movement.