How can orchestras use technology to engage with audiences? (more…)
Posts Tagged ‘Afa Sadykhly Dworkin’
Topic: Audience, Creativity | Tags: Afa Sadykhly Dworkin, brent assink, ed sanders, elizabeth scott, margo drakos, mason bates, matthew vanbesien, sunil iyengar, technology, video
October 15, 2012 by Beth Hondl | Comments (0)
When The Philadelphia Orchestra emerged from Chapter 11 bankruptcy in July 2012, the ensemble became a canary fluttering back out of a deep dark mine. Philadelphia’s path forward will be closely watched, and not only because music lovers at home and around the world have such a stake in this beloved institution. In both its difficulties and its stategies for confronting and transcending them, The Philadelphia Orchestra strikes a resonant chord with other American orchestras, large and small.
This podcast was developed from our June 2012 behind-the-scenes discussion.
Chapter Ten – Looking Ahead, in Philadelphia and Beyond
Topic: Audience, Community, Creativity | Tags: Afa Sadykhly Dworkin, alan gilbert, allison vulgamore, cleveland orchestra, deborah rutter, gary hanson, gustavo dudamel, jeremy rothman, joseph conyers, mtt, philadelphia orchestra, podcast, san francisco symphony, stanford thompson, steven winn, Yannick Nézet-Séguin
September 18, 2012 by Beth Hondl | Comments (0)
No conversation about music—about any art form, for that matter—gets very far these days without addressing the impact, potential and pitfalls of technology. From high- definition broadcasts of live performances, to an audience tuned in to Facebook, Twitter and other social media, classical music must find its place in an increasingly digital community. This podcast was developed from our October 2011 live event.
Chapter Three: Considering Technology, Part 1
The second chapter in our podcast series is about personal stories, those intimate connections between a student and a teacher that, like a pebble in a pond, send waves radiating outward. Few stories are more compelling or influential than that of Gustavo Dudamel, the Venezuelan-born conductor—and now Music Director of the Los Angeles Philarhmonic—who found his own pebble-in-the-pond experience in his home country’s visionary music education and social program, El Sistema. This podcast was developed from our October 2011 live event.
Chapter Two: Personal Stories
In this post, Afa Sadykhly Dworkin—Vice President of Programming and Artistic Director of the Sphinx Organization and a panelist at our first live event—reflects on the ongoing discussion of how American orchestras relate to their communities.
One of the topics that seems to never be exhausted fully, is the relevance of a symphony to its community. Even broader, it is about the relevance of music in general to the community it strives to serve. If we look upon music as a medium through which a community should, ideally, express itself, identify with one another, and find social value, then music needs to represent the community. In doing so, one must look at the content. What do we perform on stage? Who is in the audience? Are the audience demographics shifting? Are we seeking for those demographics to reflect the diversity of our actual community? If yes, how urgent is that desire/goal? I suspect that the answer should be “very urgent, as this may well directly relate to the long-term survival of live music.”
Imagine what the audiences would look like in a vibrant place like New York, Los Angeles, Boston or San Francisco, if they truly reflected the rich diversity of that city… (more…)
One last video from our October 23rd event in San Francisco is now available for viewing — the roundtable discussion and Q&A featuring our six Spotlight Conversation participants.
From left to right that’s Steven Winn, San Francisco arts journalist and critic; Amos Yang, Assistant Principal Cellist, San Francisco Symphony, and alumnus, San Francisco Symphony Youth Orchestra; Neil Harris, Professor of History and Art History, University of Chicago; Jesse Rosen, President/CEO, League of American Orchestras; Afa Sadykhly Dworkin, VP/Artistic Director, Sphinx Organization; Mark Clague, Professor of Music, University of Michigan.
One of my favorite moments is near the end, when a woman prefaces her question by saying she has attended symphonic concerts for 75 years. The audience bursts into applause but then gasps as she continues on to her question saying, “If you’d permit me to opine about music… sound without melody is noise.” In regards to programming, “where does the person who buys the ticket get to have a say?” I really hope she comes back for our next event Talking About Creativity.
Another video from our live “Talking About Community” event on Sunday: Afa Sadykhly Dworkin, VP/Artistic Director of the Sphinx Organization and Amos Yang, Assistant Principal Cellist, San Francisco Symphony, and alumnus, San Francisco Symphony Youth Orchestra, in conversation with Steven Winn, San Francisco arts journalist and critic. It’s an interesting dialogue about some of the societal pressures that encourage kids to participate, or not participate, in classical music.
This week the Minnesota Orchestra launches the Common Chords initiative, designed to create “one-of-a-kind collaborations between the Orchestra and communities around the state.” The first lucky city to participate? Grand Rapids, MN. Population 10,869.
The week’s events include: Tea and Chamber Music at the Library, Lunch with Minnesota Orchestra Musicians at St. Joseph’s Church, and a Side by Side rehearsal with the Itasca Youth Chamber Orchestra, leading up to a performance by the Minnesota Orchestra on Saturday.
In her recent post, Afa Sadykhly Dworkin argued that artists and organizations “have to build the sense of value and experience, one person, one family at a time,” and it appears that the Minnesota Orchestra has reached a very similar conclusion. Is this the future of “community” or simply a return to it?
This is a guest post by Afa Sadykhly Dworkin, Vice President of Programming and Artistic Director of the Sphinx Organization. Ms. Dworkin will be a panelist at our live event in San Francisco on October 23.
At Sphinx, we attempt to tackle issues of connecting the artist with the community through the prism of diversity, inclusiveness and integration.
There is a notable divide between communities of color and classical music. We focus on bridging the gap by immersing classical music within the community. We market our concerts in a grassroots manner, working with community and faith based institutions, to establish common goals and synthesize our efforts. We have to build the sense of value and experience, one person, one family at a time. (more…)
Afa Sadykhly Dworkin is the Vice President of Programming and Artistic Director for the Sphinx Organization in Detroit. She will be joining us for our October 23 live event. Here is an introduction to the Sphinx Organization, featuring an interview with Ms. Dworkin. “Sphinx is working towards a future where every young person, regardless of their cultural background, can make classical music a part of their everyday life.”