November, 2011

  1. Event video: Roundtable discussion and audience Q&A

    One last video from our October 23rd event in San Francisco is now available for viewing — the roundtable discussion and Q&A featuring our six Spotlight Conversation participants.

    From left to right that’s Steven Winn, San Francisco arts journalist and critic; Amos Yang, Assistant Principal Cellist, San Francisco Symphony, and alumnus, San Francisco Symphony Youth Orchestra; Neil Harris, Professor of History and Art History, University of Chicago; Jesse Rosen, President/CEO, League of American Orchestras; Afa Sadykhly Dworkin, VP/Artistic Director, Sphinx Organization; Mark Clague, Professor of Music, University of Michigan.

    One of my favorite moments is near the end, when a woman prefaces her question by saying she has attended symphonic concerts for 75 years. The audience bursts into applause but then gasps as she continues on to her question saying, “If you’d permit me to opine about music… sound without melody is noise.” In regards to programming, “where does the person who buys the ticket get to have a say?” I really hope she comes back for our next event Talking About Creativity.


  2. Some Mozart to go with your dish towels?

    Random Acts of Culture is an intriguing program that takes classical music out of the concert hall and into… well, shopping malls, farmers markets, trains and basically any place there’s a captive audience. Here is a recent video from the Mall of America, featuring musicians from the St. Paul Chamber Orchestra. How would you like some Mozart to go with your dish towels? (They appear to be in the home section of Macy’s.)

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  3. Video: Gustavo Dudamel – Music Director of the Los Angeles Philharmonic – on Community

    In his keynote at our first live event, Gustavo Dudamel, Music Director of the Los Angeles Philharmonic, talked about Community and the powerful impact of El Sistema, Venezuela’s publicly-funded music education program.


  4. Making an Entrance

    Steven Winn, co-moderator of our live events in San Francisco, examines one particular part of the classical music concert ritual — the entrance. Who exactly should we be applauding for?

    I knew there was something I liked about the Mariinsky Orchestra filing onstage together at Berkeley’s Zellerbach Hall, where the ensemble played three knockout Tchaikovsky programs last month. But it took eavesdropping on the couple behind me one night to pin down what the appeal was.

    It’s just good theater, I’ve always thought. Good showmanship. Leave the stage empty, bring down the lights, then start the stage-filling parade to a steady rumble of applause. The tactic seems much sharper than the casual gathering of forces most American orchestras employ. (more…)